Harry Potter World on Ilford Delta. I’m going to print this in lith, I think it’ll be spooky.

Scanning Albumen prints is next to impossible, but this is close enough. I had some coating problems but overall I’m happy with it.

The grain isn’t nearly as pronounced in reality.

I was digging all this line variation.

Portra 160 pushed to 400.

Better scan of a previous upload. I originally shot this in black and white in infrared. Looking back at it I wish I would’ve gone wider. I’m always rethinking compositions…

I love the color shift effects with pushing portra.

Portra 160 pushed to 400.

Was able to use the V750 Pro at school to scan the latest roll. Here’s one of the images—It amazes me how much punchier the V750 produces imagery than my V500.

Portra 160 pushed to 400. Abandoned Florida.

Photo for class. That’s all for now, maybe I’ll upload some of the shots I take tomorrow.

Ilford SFX 200 @ ISO 6 with an R72 developed in Rodinal 1+25.

Multiple exposures using the bulb setting on F32. I used my hand as a shutter.

Seed ball thing #2.

Bizarre seed ball thing I found outside of work yesterday. Makes for a fun abstract still life subject.

Adam Wade Lavigne, 2012

Trying some new post processing. Scanned this as a color negative rather than black and white. For whatever reason this helped out the noise a lot and I’m kind of digging the color tone as well.

I shot a roll of my coworkers yesterday before I left, more to come. I have to scan each one and then rescan for the film border (to avoid newton rings) and then combine the two.

Ilford SFX with a Hoya R72, shot in my Yashica Mat 124G at ISO 6. Rodinal 1+25 for 6 minutes, agitation for the first minute and every 30 seconds thereafter.